Felix from The Phoblographer spotted some new Kodak-branded Micro Four Thirds lenses at the PhotoPlus Expo in New York. The lenses are fast and manual focus only: 25mm f/0.95, 50mm f/1.1 and 8mm f/3 fisheye. The price of every lens is $400 which sounds very good, but we don’t know how the lens will perform […]
SLR Magic has announced a new HyperPrime CINE 12mm T1.6 lens for Micro Four Thirds cameras. It is a mechanical upgrade over the original 12mm T1.6 CINE lens redesigned to better suit cinema needs with gearing on the aperture and focus rings; however, the optical design remains the same. SLR Magic HyperPrime CINE 12mm T1.6 […]
Emm from Cheesycam is ready with his video review of the Blackmagic Pocket Cinema Camera. The quality of the final footage is great but there are some things to consider – the battery drains very quickly, the LCD screen is not good for working outside and there are no audio meters. I’m not saying this […]
Footage from Blackmagic Cinema Camera MFT and vintage russian glass: Mir-1B 37mm F2.8 M42 and Helios 44M 58mm F2 M42. ProRes 4.2.2 (HQ) Film Mode, edited & graded on Sony Vegas Pro 12, Film Negative Emulation by Filmconvert, Eclipse ND Fader by Genus. The Wormcracker (FilmConvert) from Ghassan Nazmi on Vimeo.
Samyang has announced Samyang 16mm V-DSLR T2.2 ED AS UMC CS cinema lens for DSLRs with APS-C sensor and BMCC of course. Its optics comprise of 13 elements arranged in 11 groups, including an ED lens element, aspherical element and hybrid-aspherical lens element. Like all other Samyang models, all lens elements are covered with anti-reflection […]